You’re made into a My Little Pony!
Or in this case, My Little Lagerfeld created by artist Mari Kasurinen.
Loves it! Next up… a Lagerfeld Chia Pet?
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In “The Devil Wears Prada“, one of my favorite movie scenes ever gives truthful insight into the “creative flow” of trends. It’s harsh, but true.
Meryl Streep (loosely based on Anna Wintour) ends her rant with “…then trickled on down to some Casual Corner where you no doubt fished it out of a clearance bin…”
Ummm what’s wrong with Casual Corner? HA
There’s an unspoken-about gap between high fashion and consumer fashion, as if high fashion wants to pretend that it could exist without consumerism, but it couldn’t, at least not in the economic materialism sense. There is no superior value to a $4000 limited-edition designer coat than a $300 private-label department store coat, provided both are made of quality materials that will keep the wearer warm.
The material value is set by our individual values: softness, uniqueness in the market, innovation of design. The more unique an item is, the less it will sell to the masses, which means a designer needs to mark up the price to maintain a high profit margin and stay in business, since they won’t be selling high volume. The craftsmanship of these garments meets the standards of certain consumers’ values, thereby validating the price, at least in their minds. They want to acquire something people don’t have yet and they’re willing to pay for that item that “controls” the market.
The trickle down effect is that the unique item, now quantified by sales in the marketplace, will be copied, though in a generic style, to be sold to the masses. And therein lies the symbiosis.
If you’re interested in modeling, fashion, styling, magazines, Vogue, and/or runway GET THIS MOVIE for its educational value!!!
Special appearance by Karl @ the 1:01 mark.
And that’s model Ashleigh Good in there too.
So artsy. I totally need those Chanel bowtie wrist cuffs!
A Google search for “Vogue Lady In Red” can bring you up to speed on the conspiracy theories surrounding my inclusion in this otherwise-übercool editorial featuring Daria Strokous and Caroline Trentini.
Has Steven Meisel lost his mind? No, I’m pretty sure he’s just exercising his sense of humor!
I find this editorial to be brilliantly conceived and flawlessly executed. Working with Steven Meisel was an honor; I love that he allowed me to be myself without trying to “cool me up” and I am proud to have a role in the creation of his art.
Re: The Story:
The women who patronize teleshopping channels save up for that $300 gold pleather jacket payable in 3 Easy-Pay installments because for them, it is their Christian Lacroix. Teleshopping carries everything from frumpy knits to “designer” goods, making the higher priced designer items the equivalent of a middle-America Chanel.
Fashion is subjective; your cool may not be my cool. Real women from Texas to Tuscany covet clothing that they can wear in their everyday lives, inspired by haute couture runways but made wearable by mass market designers. It’s the trickle-down effect from runway to ready-to-wear to private label.
Re: The Casting:
I think Steven again makes a statement. Watching Joan Rivers on QVC, she overshadows her guests, the models and the merchandise. It’s the Joan Show and the customers call … Keep Reading »